Know the information about Tirumala Venkateswara Swamy Garuda Rock Hills, Garuda Venkateswara Swamy Rock Hills Tirumala

Tirumala has a total area of roughly 26.8 square Km and is located 980 meters (3,200 feet) above sea level (10.33 sq mi). Seven peaks of the Seshachalam range, also known as the Eastern Ghats, including Seshadri, Neeladri, Garudadri, Anjanadri, Vrushabadri, Narayanadri, and Venkatadri, surround the hills. On the seventh peak is the Sri Venkateswara temple[6] (Venkatadri).

Tirumala Venkateswara Swamy Garuda Rock Hills History and Formation 

On the Tirupati-Tirumala Ghat route, at a distance of 21 KM (13 miles), there is a significant stratigraphic discontinuity that marks a time of exceptional calm in the planet’s geological past. While returning to Tirupati from the Tirumala Hills, one can encounter this rock structure at Tirumala. From the Ghat Section, it is easy to see the Garuda rock formation. It is a naturally occurring Garuda creation in the Tirumala Hills. The Venkateswara Swamy Rock in the Tirumala Hills is easily recognizable for its Venkateswara Swamy shape. Just below the windmill, on a rocky hill, is a feature of the Lord Venkateswara Rock Structure. Visitors who climb hills can enjoy this view from Venkatadri Hill, the seventh hill, which is located just before the last hill turns.

On the Tirumala Hills, Venkateswara Swamy is shown. One may see Venkateswara Swamy’s face on the Tirumala Hills from a distance away from Tirumala. There is still another rock formation that resembles a human face. From Akkagarla Gudi, which is situated in Tirumala Ghat Section, you can see this rock formation. The return route from Tirumala to Tirupati via bus or own vehicle passes by a rock sculpture.

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Garuda considered the king of birds in Hinduism, is a heavenly bird that resembles an eagle. The Rigveda makes reference to a Garutman, a celestial deva with wings. The Yajurveda text’s integrated Shatapatha Brahmana mentions Garuda as the embodiment of bravery. The Mahabharata claims that Garutman is identical to Garuda and goes on to describe him as quick, able to assume any form, and able to enter any location.

In the epics, he is a strong creature whose wings can stop heaven, earth, and hell from spinning. He is said to as the Hindu god Vishnu’s mount, and often they are depicted together. He is Aruna’s younger brother. The sun god’s charioteer is named Aruna. Garuda, according to George Williams, derives from the word Gri, which means “to talk.” He serves as a metaphor for Rik (rhythms), Saman (sounds), Yajna (sacrifices), and the atman in Vedic literature (Self, deepest level of consciousness). Williams claims that in the Puranas, Garuda becomes a concrete representation of the concept and the Self that is tied to and inseparable from the Supreme Self (Vishnu)Garuda is a central figure in Vaishnavism, but he is also prominent in Shaivism, as a bird and as a metaphor for the atman in writings like the Garuda Tantra and Kirana Tantra, as well as in Shiva temples.

The preferred iconography for Garuda in the Sritatvanidhi literature depicts a kneeling figure with one or more serpents on his person, a pointed bird-beak-like snout, and his two hands in the namaste position. Hindu temples honoring Vishnu frequently use this design. In some artwork, Garuda is seen with Lord Vishnu, Lakshmi (Thirumagal), and Bhami by his side (Bhuma-Devi).

In India’s early temples, such as Cave 3’s entrance’s underside of the eave, there are representations of the garuda. The outline of Venkateswara Swamy can be seen in this rock formation. On a rock right below the windmill, there is a formation known as the Lord Venkateswara Rock Structure. It is Lord Venkateswara Swamy Shape’s natural formation.

The shape of the rocks is such that they resemble Sri Venkateswara Swamy’s face. Seshadri, Garudadri, Venkatadri, Anjanadri, Narayanadri, Vrushabhadri, and Vrushadri are the seven hills connected to Si Balaji. These hills’ sanctity is a direct result of Sri Balaji’s holy feet leaving their impression on them. Sri Balaji is housed beneath the Vimanam known as Ananda Nilayam, or the adobe of happiness, on top of these holy hills, and there he accepts devotion in accordance with Vaishnava Agama custom.