Trincomalee Koneswaram Temple Rooms Online Booking

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Trincomalee, located on the eastern coast of Sri Lanka, is home to a Hindu temple known as the Holy Koneswaram Temple. The temple is located on the highest point of a rocky promontory that is encircled by water on three sides. It has been documented that its beginnings date back to 1580 BC, giving it a history that spans over three millennia. This historical structure, which is still quite magnificent, is all that is left of what was once a large temple city that was on par with the ancient city of Madurai, which is located in India.

The Hindu god Shiva, who is worshipped in the Koneswaram temple, is the source of the city’s name. It is because Shiva, also known as Eeshwar and Eeshwarar, rules over the mountain of Holy Konam that Thirukoneswaram was given its name. According to one theory, the name “Konam” originates from an Old Tamil word that may be translated as “peak.”

The temple is also known by the Sanskrit name Dakshina Kailayam, which translates to “Mount Kailash of the South.” Dakshina Kailayam is one of its names. There are also others who refer to it as “Aathi Koneswaram,” where “Aathi” is the Tamil word meaning “ancient.”

According to the myth, King Ravana and his mother both devotedly worshipped the god Koneswaram throughout their lifetimes. It is said that Ravana developed the hot springs of Kanniya as part of Thirukoneswaram, for the purpose of performing the funeral rituals for his mother. It is claimed that King Ravana, a mythological ruler of Sri Lanka who lived more than 5000 years ago, ruled the island nation. If the story is accurate, it would mean that the temple has been inhabited by people and producing fruitful results for more than five thousand years.

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Trincomalee Koneswaram Temple Rooms Online Booking

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According to the Portuguese historian Diogo de Couto, who lived in the 16th century, Koneswaram was one of the five Eeshwarams that dominated the ancient landscape of Sri Lanka. The other four Eeshwarams were Ketheeshwaram, Munneshwaram, Naguleshwaram, and Tenavaram, all of which have since been destroyed.

According to the Tamil historical chronicle Yalpana Vaipava Malai from the 18th century, the Indian exile and Sri Lankan prince, Prince Vijayan, and his supporters are also reported to have repaired the temple upon their arrival on the island. This information comes from the Indian exile’s account.

However, the genuine growth of Koneswaram did not occur until 205 BC, when the Chola ruler Elara Manu Needhi Cholan restored the temple, establishing a temple complex that mimicked the Dravidian temple towns. This event is considered to be the beginning of Koneswaram’s ascent to prominence. The city was originally conceived as a massive temple complex, with the Thirukoneswaram temple serving as its focal point. The walls of the city enclosed not just the residences of its inhabitants but also the fields and numerous shrines that were located inside the city. The city was accessed via gates that were placed in smaller temples. The temple complex and city encompassed most of what is today the city of Trincomalee. The pilgrimage route extended for 225 Km and was often covered on foot by pilgrims. There were distinct shrines and temples dedicated to various gods and goddesses, including Ganesha, Padrakali, Vishnu/Thirumal, Shakthi, Suryan (the Sun), Murukan, and even King Ravana himself.

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Hard black granite, known as Karangal, was used in the construction of the primary temple at Koneswaram, which was built on top of a rocky peninsula. Indian temple builders and sculptors were responsible for the intricate carvings of traditional temple bas-relief sculptures into granite. One of its most impressive attributes was the Thousand-Pillared hall, which served as a venue for a variety of cultural and spiritual gatherings. Because of the hall’s notoriety, the Portuguese travelers who explored the temple referred to it as the Temple of a Thousand Pillars.

The next millennium saw a continuation of Koneswaram’s ascent to prominence as a tourist destination. The temple was one of only two non-Indian temples that were extolled by the famous Hindu poet-saint Sambandhar in his Tevarams, the other temple Thiruketheeshwaram is located in Sri Lanka as well. Sambandhar lived in the sixth century AD. Records from the Kingdom of Anuradhapura, which flourished between the 4th and 7th centuries AD, and the Kingdom of Jaffna, which arose between the 12th and 17th centuries AD; as well as records from the Chola, Pallava, and Pandya Kingdoms of India; all of these records show that kings from over a millennium ago both donated to and contributed to the renovation of Koneswaram.

Trincomalee Koneswaram Temple Darshan Timings:

• The Temple is open during the day for Darshan and Visitors can have the devi darshan.
• Temple Darshan Timings: 06 Am to 06 PM

The awe-inspiring sight of the ancient Svayambu Lingam, which is kept in the main shrine chamber, also known as Moolasthanam, is shown to tourists as soon as they approach the premises (translation: center point). The moolasthanam of Thirukoneswaram is rather unique in comparison to other moolasthanams since, unlike the majority of moolasthanams, it consists of not just one but two shrines. The shrine chamber of Goddess Mathumai Ammal, who is Koneswarar’s spouse, can be found to the left of the lingam when seen from the lingam itself and faces towards the side door. Both shrines are located inside the same bigger space, which serves as the moolasthanam when the two are taken together.

The temple’s top and interior are both exquisitely crafted and colorfully decorated with intricate designs. A big picture portraying all of the shrines in the temple, as well as the sequence in which they should be worshipped, can be found on the pillar that is immediate to the right after entering the building. In a nutshell, the sequence always proceeds in a clockwise direction from beginning to end. It is up to the devotee to decide if one, three, or five complete revolutions are comfortable for them. The same holds true for each individual shrine as well, with the exception of the primary shrine since it is situated in the middle of the complex.

After entering, there is a wonderfully painted representation of the temple as it looked when it was first built, before it was destroyed around 400 years ago, on the wall to the left shortly after entering. It takes some effort to recognize that the painting is not a bas-relief since it is executed so beautifully that it gives the impression of being three-dimensional.

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